BEATRIX MEXI MOLNAR
DANCE PHOTOGRAPHY

After inicializing of her professional carrer of photojournalism in 1997 in Hungary, combining with aerial, nature, and fashion fotography, publicity, architecture , theater and dance photography- fell in love with the art of flamenco, hit the road to Spain and set up there in 2005 to dedicate her time to take photos and art videos of  dance and flamenco with the bigiest names of this art form.​ 

 

Works for flamenco artists Antonio Canales,  La Lupi , Daniel Doña Dance Company, Jesús Carmona, Teresa Nieto and Daniel Doña, Manuel Liñán, Rafael Estévez Compañía, Rafaela Carrasco , Rojas y Rodriguez, Eduardo Guerrero,  Alfonso Losa,   Viviana Guzman Flutist USA ,

and many more.

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She is invited to many flamenco festivals  and countries to take pictures and art videos for dance companies :  Germany, Czech Republic, Slovakia, Mexiko, Japan, Chile, United States, Italy

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​Exhibitions:

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-2023 solo exhibition 10 years of dance championship of District of Tetuán, Madrid

-2018 "ALMA" solo exhibition of flamenco, USA, Texas, Pearl San Antonio

-2018 solo exhibition Bratislava, Slovakia, I. Spanish Cultural Festival  - Spanielsky Tyzden 

-2018 solo exhibition Metal- flamenco , Valencia,  Spain, Collaboration with Audi  snd the flamenco dancer: Eduardo Guerrero

-2018 solo exhibition Sevilla Off-Biennale Seville, Spain

2017  Habana, Cuba2017

-2017 solo exhibition Las Carboneras, Madrid, Spain,

-2017 solo exhibition Prague, Chech Republic, Festival of Flamenco,

-2016 solo exhibition C.C. E.Urculo Tetuán, Madrid, Spain, Certámen Coreográfico

-2013 Budapest, Hungary

-2012 Flamenco, Prague,  Chech Republic

-2005 Flamentango, National TV Danubio, Budapest, Hungary 

-2004 Millenáris Park, Budapest, Hungary

-2004 Andalúzia, Margitsziget, Budapest, Hungary

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“MI GENUINE AND CRAZY BEATRIX MOLNAR


Photography as art is constantly moving, never stopping, a progressing and expanding universe. Plenty of technical, chemical and magical discoveries had to have happened in order to enjoy fully this mystical and ethernal art form. Discussing about photography and its incredible vastness is like squeezing the sea into a drinking glass. In respect to my world of flamenco, thankful to photography, the stories and the past of this marvellous flamenco universe is invoked.

In our present world this graceous courtesy of the magnificent photographer Beatrix Molnar is her ability to identify and to fill her art to the marrow of our flamenco world where she totally belongs. She is a guarding eye, genuine and overflowing with talent, who sails in the heights of sensual and tempestuous dream world of flamenco. With Beatrix we are entering a new vision, the world of texture, material, colours, emotions and tones. There a moment of time is transformed to the story of centuries therefore the reality of flesh and blood is changed to an obfuscated and unearthly dream. This unique and exclusive perspective which is a drift from the photographer’s heart is about to have the pictures constantly move and enable us to hear every single scream and whispering as well as the saint harmonies of the performers.

This is a real honour and pride to praise the artist, the photographer and the “flamenca” because I’m a big fan of her perspective -her forms and path towards the ”raza” and at the same time the organic nature of art photography.

Because flamenco is like thin glass, if one gets too close to it, it’ll turn dewy.

Only the selected few is allowed to enter the sanctuary. One of the chosen few is this grand artist, Beatrix Molnár”

Antonio Canales flamenco dancer

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